Perception and its objects
2007, Philosophical Studies
https://doi.org/10.1007/S11098-006-9051-2…
11 pages
Cited by 14 papers
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Abstract
Early modern empiricists thought that the nature of perceptual experience is given by citing the object presented to the mind in that experience. Hallucination and illusion suggest that this requires untenable mind-dependent objects. Current orthodoxy replaces the appeal to direct objects with the claim that perceptual experience is characterized instead by its representational content. This paper argues that the move to content is problematic, and reclaims the early modern empiricist insight as perfectly consistent, even in cases of illusion, with the realist contention that these direct objects of perception are the persisting mind-independent physical objects we all know and love.
Key takeaways
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- The paper defends the Object View (OV) against the Content View (CV) on perceptual experience.
- OV asserts that direct objects of perception are mind-independent physical entities.
- Illusions reveal the significance of perceptual presentation distinct from conceptual categorization.
- The Müller-Lyer illusion exemplifies tensions between perceptual representation and reality in CV.
- Hallucinations lack mind-independent direct objects, necessitating qualitative descriptions for understanding.
Related papers
2015
This thesis is a defense of the Content View on perceptual experience, of the idea that our perceptual experiences represent the world as being a certain way and so have representational content. Three main issues are addressed in this work. Firstly, I try to show that the Content View fits very well both with the logical behaviour of ordinary ascriptions of seeing-episodes and related experiential episodes, and with our pretheoretical intuitions about what perceiving and experiencing ultimately are: that preliminary analysis speaks for the prima facie plausibility of such a view. Secondly, I put forward a detailed account of perceptual episodes in semantic terms, by articulating and arguing for a specific version of the Content View. I provide arguments for the following theses: Perceptual content is two-layered so it involves an iconic level and a discrete or proto-propositional level (which roughly maps the seeing-as ascriptions in ordinary practices). Perceptual content is singular and object-dependent or de re, so it includes environmental objects as its semantic constituents. The phenomenal character of perceptual experience is co-determined by the represented properties together with the Mode (ex. Visual Mode), but not by the perceived objects: that is what I call an impure representationalism. Perceptual content is 'Russellian': it consists of worldly objects, properties and relations. Both perceptual content and phenomenal character are 'wide' or determined by environmental factors, thus there is no Fregean, narrow perceptual content. Thirdly, I show that such a version of the Content View can cope with the objections which are typically moved against the Content View as such by the advocates of (anti-intentionalist versions of) disjunctivism. I myself put forward a moderately disjunctivist version of the Content View, according to which perceptual relations (illusory or veridical) must be told apart from hallucinations as mental states of a different kind. Such a disjunctivism is 'moderate' insofar as it allows genuinely relational perceptual experiences and hallucinations to share a positive phenomenal character, contrary to what Radical Disjunctivism cum Naïve Realism holds. Showing that the Content View vindicates our pre-theoretical intuitions and does justice of our ordinary ascriptive practices, articulating a detailed and argued version of the Content View, and showing that such a version is not vulnerable to the standard objections recently moved to the Content View by the disjunctive part, all that can be considered as a big, multifaceted Argument for the Content View.
Published in The Oxford Handbook of Philosophy of Mind edited by A. Beckermann and B.
In this commentary on Don Ihde's paper "Stretching the in-between: embodiment and beyond" I argue that perceptions and observations are based on tacit frames and these frames are expressed through pre-reflexive intuitions thus giving meaning to the perceived content of observations. However, if the objective or given information in perception is incomplete or missing our brain and nervous system will intuitively and unconsciously fill in the missing information in order to act-these particular pieces of added information may not be relevant to the decoding of the given content of perception at all.
Philosophy and Phenomenological Research, 2019
This paper develops a form of transcendental na€ ıve realism. According to na€ ıve realism, veridical perceptual experiences are essentially relational. According to transcendental na€ ıve realism, the na€ ıve realist theory of perception is not just one theory of perception amongst others, to be established as an inference to the best explanation and assessed on the basis of a cost-benefit analysis that weighs performance along a number of different dimensions: for instance, fidelity to appearances, simplicity, systematicity, fit with scientific theories, and so on. Rather, na€ ıve realism enjoys a special status in debates in the philosophy of perception because it represents part of the transcendental project of explaining how it is possible that perceptual experience has the distinctive characteristics it does. One of the potentially most interesting prospects of adopting a transcendental attitude towards na€ ıve realism is that it promises to make the na€ ıve realist theory of perception, in some sense, immune to falsification. This paper develops a modest form of transcendental na€ ıve realism modelled loosely on the account of the reactive attitudes provided by Strawson in 'Freedom and Resentment', and suggests one way of understanding the claim that na€ ıve realism is immune to falsification. 1. Transcendental Na€ ıve Realism According to the version of the na€ ıve realist theory of perception that I will take as representative, veridical perceptual experiences are essentially relational: veridical perceptual experiences are constituted at least in part by the mind-independent objects and properties in our environment that they are experiences of. Because on this view veridical perceptual experiences are essentially relational, a particular perceptual experience could not have occurred if the subject had not been perceptually related to precisely those elements of their environment. 1 In this respect, na€ ıve realist theories of perception differ from common kind theories of perception, like sense-datum or representationalist theories, which allow that how things are with the subject is constitutively independent, at least on a particular occasion, of how things are in their environment. According to common kind theories, it is possible for the subject to have fundamentally the same kind of experience whether or not the environment This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.
Journal of Consciousness Studies, 2002
In this paper I explore a brand of scepticism about perceptual experience that takes its start from recent work in psychology and philosophy of mind on change blindness and related phenomena. I argue that the new scepticism rests on a problematic phenomenology of perceptual experience. I then consider a strengthened version of the sceptical challenge that seems to be immune to this criticism. This strengthened sceptical challenge formulates what I call the problem of perceptual presence. I show how this problem can be addressed by drawing on an enactive or sensorimotor approach to perceptual consciousness. Our experience of environmental detail consists in our access to that detail thanks to our possession of practical knowledge of the way in which what we do and sensory stimulation depend on each other. Traditional scepticism about perceptual experience questions whether we can know that things are as we experience them as being. This paper targets a new form of scepticism about experience that takes its start from recent work in perceptual psychology and philosophy of mind. The new scepticism questions whether we even have the perceptual experience we think we have. According to the new scepticism, we have radically false beliefs about what our perceptual experience is like. Perceptual consciousness is a kind of false consciousness; a sort of confabulation. The visual world is a grand illusion. The new scepticism raises important questions for philosophy, psychology, and consciousness studies. What is the character of our perceptual experience? And who does the sceptic mean by 'we' anyway? Ordinary perceivers? Ordinary perceivers in unusual reflective contexts? Or psychologists and philosophers? These are surprisingly difficult questions. I argue, in what follows, that the new scepticism, and perhaps also the new perceptual psychology it has spawned, rests on a misguided and overly simplistic account of perceptual phenomenology.
Essays in Philosophy, 2004
This collection is well-suited for students seeking a one-volume introduction to the long conversation in philosophy surrounding visual perception. The chronological arrangement of key articles (a total of 23, all but one previously published) makes this, effectively, a documentary history of a decidedly interdisciplinary discussion beginning with Maurice Merleau-Ponty (a selection from his 1945 Phenomenology of Perception) and continuing through Daniel Dennett and David Chalmers. More than history, it is also a substantive contribution to the conversation, a philosophical argument structured in a traditional fashion with roots at least as old as Aristotle: the editors choose not only what to include but also where to begin, and they get both the first and last words. Essays in Philosophy, Vol. 5 No. 1, January 2004
The Contents of Perceptual Experience: A Kantian Perspective, 2014
When I observe a scene around me, I perceive a number of objects: I can see my desk with a pile of books and papers on it (in slight disarray), some writing implements and a notebook; I can hear a car passing the nearby road and friends chatting outside my window; I can sense the smell of freshly baked bread and feel the smoothness of my cat's fur. What are the objects of my perception-in general? Surely, I can think about these objects, as well as imagine them. But there must be something in perception that makes it different from other mental states, acts or processes, such as thinking or imagining. For example, smelling a rose is different from merely thinking about a rose. When you smell a rose, you have certain sensations that you would not have if you were merely thinking about it. Moreover, you would not know what the scent of rose is like, you would not be able to recognize it as coming from your garden, and to tell it apart from the scent of lilacs that grow next to roses, if you did not have a perceptual experience of a rose. Accordingly, philosophers have claimed that what distinguishes perception from other kinds of mental states, acts, or processes, is its content. Since the objects that can be perceived can also be thought about or imagined, perceptual content is a special way or mode in which objects can be given, or presented, to us in experience or, more broadly, cognition. Let us call this view the content view (CV).23 On the CV, cognitive access to objects would be regarded as mediated, rather than direct. The role of the intermediary would be played by representational content. This view is deeply rooted in the history of philosophy, for example in the debates between direct and indirect realists, such as Thomas Reid, on the one hand, and John Locke, on the other.24 The latter, also known as representationists, would claim that "ideas," which would be characterized as mind-dependent, or existing "in" the mind, mediate access to all kinds of objects. The standard objection raised against the CV states that it encourages skepticism about the properties of the objects outside the 23 For a discussion and critique of the view, see: B.
2013
Thatcher’s Perceptual Illusion is presented as a case study to test the fruitfulness of Helmuth Plessner’s Aesthesiology for contemporary philosophical and empirical research on sensory perception (§1). In one reading, Thatcher Illusion’s seems to question Gestalt Theory. We argue that it limits ideed its explanatory power, by forcing us to distinguish physiognomic identity from emotional expression (§2). Although integrating Gestalt Theory, Aesthesiology takes a further step into a thorough criticism of contemporary reductions of Phenomenal Consciousness in terms of Qualia: an embodied-enactive theory of perception (§3). Plessner’s insights into Geometry and Music as “symbolic forms” grounded, respectively, on goal-directed action/objects manipulation, and on emotional expression are expounded (§4). The Thatcher’s Illusion’s Puzzle is solved on the basis of this Plessnerian distinction (§5).
Philosophical Studies, 2013
What is the metaphysical nature of perceptual experience? What evidence does experience provide us with? These questions are typically addressed in isolation. In order to make progress in answering both questions, perceptual experience needs to be studied in an integrated manner. I develop a unified account of the phenomenological and epistemological role of perceptual experience, by arguing that sensory states provide perceptual evidence due to their metaphysical structure. More specifically, I argue that sensory states are individuated by the perceptual capacities employed and that there is an asymmetric dependence between their employment in perception and their employment in hallucination and illusion. Due to this asymmetric dependence, sensory states provide us with evidence. Perceptual experience plays at least three different roles in our lives. It justifies our beliefs about our environment. It brings about conscious mental states. It converts informational input, such as light and sound waves, into representations of features that we attribute to the world. Corresponding to these three roles, there are at least three fundamental questions that have motivated the study of perceptual experience. Epistemology-question: How does perceptual experience justify our beliefs and yield knowledge of our environment given that perceptual experience can be misleading (we may be subject to illusion or hallucination)? Mind-question: How does perceptual experience bring about conscious mental states in which our environment appears or seems a certain way to us (irrespective of the way our environment actually is)?
Mind and Language, 2002
A number of philosophers have argued in favour of the Dependency Thesis: if a subject sensorily imagines an F then he or she sensorily imagines from the inside perceptually experiencing an F in the imaginary world. They claim that it explains certain important features of imaginative experience, in brief: the fact that it is perspectival, the fact that it does not involve presentation of sensory qualities and the fact that mental images can serve a number of different imaginings. I argue that the Dependency Thesis is false and that, in any event, it does not have the explanatory credentials claimed for it. Some of the features of imaginative experience are incorrectly specified, namely the absence of presentation of sensory qualities. With a more precise idea of what we need to explain, I argue that the explanation should proceed by noting that imagination and perception have phenomenally similar contents and that this is to be explained in terms of the similar kinds of representations in play. I trace the consequences of my discussion for disjunctivist theories of perception, Berkeleian Idealism and the characterisation of knowing what an experience is like.
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- 14 Many thanks to Justin Broackes, Nicolas Bullot, Steve Butterfill, John Campbell, David Charles, Bill Child, Tim Crane, Imogen Dickie, Naomi Eilan, Anil Gupta, John Hawthorne, Christoph Hoerl, Hemdat Lerman, John McDowell, Jennifer Nagel, Johannes Roessler, Nick Shea, Alison Simmons, Paul Snowdon, Matt Soteriou, Helen Steward, Charles Travis, Ralph Wedgwood, Michael Williams, and Tim Williamson, for helpful comments on previous versions of this material.
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FAQs
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What distinguishes the Object View from the Content View in perception?add
The Object View (OV) asserts that perceptual experience's core character is determined by mind-independent direct objects, while the Content View (CV) emphasizes representational content's role in defining experience. This distinction illustrates how OV accommodates the mind-independent nature of perceived objects even in illusions.
How does the Object View explain perceptual illusions like the Müller-Lyer illusion?add
OV claims that illusions arise when a mind-independent object presents visually relevant similarities with paradigms of various kinds, leading to misinterpretations like unequal line lengths in the Müller-Lyer illusion. Thus, despite being objectively identical, perceived disparities can emerge from perceptual context.
What role does conceptual thought play in perceptual experiences according to the Object View?add
In OV, conceptual thought's role emerges post-perception, allowing individuals to classify or interpret direct objects based on their visual similarities with paradigms. This framework enables clearer distinctions between subjective experience and reflective categorization during perception.
How are hallucinations accounted for under the Object View framework?add
OV addresses hallucinations by describing them as qualitative experiences that lack mind-independent direct objects and instead refer to mind-independent scenes of which subjects cannot distinguish their experiences. This highlights that while hallucinations may lack physical stimuli, they still involve a recognizable perceptual framework.
What empirical implications arise from rejecting the Content View's account of perceptual experience?add
Rejecting CV's ideas prompts a reevaluation of the perceptual experience's subjective character, leading to the conclusion that direct objects of perception are crucial to understanding visual experiences, including illusions and misrepresentations. This suggests empirical realism remains viable, as demonstrated during illusionary experiences.
Berit Brogaard