Algunos datos etnoarqueolóicos de la cosmovisión hñähñü-otomí en la pintura rupestredel Mezquital, Hidalgo (México)
The cosmos and cosmovision in Mesoamerica was perceived as a dual struc-ture and opposite, explai... more The cosmos and cosmovision in Mesoamerica was perceived as a dual struc-ture and opposite, explaining his conception of how his world, their gods, their space and time: Male: female, cold: hot, night day, the gods: goddesses: water: fire; all these oppositions, mingled in the representation of the body, nagualism, sacrifice and therefore, in the complexes of gods and sacred sites. We propose that these splits and complementary contrary were part of the cave art of Valle del Mezquital, continuing in rock elements of the sixteenth century and even evident traces in festivals and rituals of groups Otomi Hnahnu contemporary.
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