Han style mirrors are widely distributed in the Eurasian steppe，with its previous researches focu... more Han style mirrors are widely distributed in the Eurasian steppe，with its previous researches focusing on chronology and typology in the specific area. The article provided a new perspective to systematically discuss the stylistic changes of Han style mirrors，including the phenomena of imitation and reference. There were three core findings of the paper: First，Han style mirrors were composed of the original and the imitative products. Its transmission process was closely related to the socially，politically，and culturally ecological environment. Secondly，in the process of dissemination of Han style mirrors，others gradually depended on the use of Han style mirrors，which gave rise to the phenomenon of imitation，modification，and borrowing. Thirdly，the cognition of the artifacts among the different ethnic groups varied greatly due to differences in transmission distance，frequency，and pathway. The dissemination context of Han style mirrors had undergone a transformation from the political connotation to the economic significance. By analyzing the cultural circumstances of the Eurasian steppe，this research aimed to reveal the transmission mode and the cultural connotation of Han style mirrors，and ultimately sublimated the understanding of the Silk Road.
瓦当是汉文化的重要组成部分，在中亚地区的传播呈现出借鉴和改制的母题。本文从中原与边疆互动的视角介入，旨在进行多方面探究：首先，梳理匈奴瓦当的特征及其风格来源；其次，阐明不同区域瓦当之间的差异与共... more 瓦当是汉文化的重要组成部分，在中亚地区的传播呈现出借鉴和改制的母题。本文从中原与边疆互动的视角介入，旨在进行多方面探究：首先，梳理匈奴瓦当的特征及其风格来源；其次，阐明不同区域瓦当之间的差异与共性，解读影响变化发生的因素；再次，揭示瓦当传播的过程，阐述汉地特征在边 疆与域外的“在地化”进程；最后，理解域外汉式器物“汉为胡用”的文化内涵和族群认同
Abstract: The stone-structured tombs of the Southwestern Yi peoples during the Han Dynasty primar... more Abstract: The stone-structured tombs of the Southwestern Yi peoples during the Han Dynasty primarily consisted of two types: stone-cist tombs and dolmen tombs. Under Han cultural influence, these burial practices demonstrated dual trajectories of cultural persistence and integration, manifesting as independent development, adaptation of Yi elements by Han culture, and eventual assimilation into Han mortuary systems. This study analyzes the evolutionary characteristics of stone-structured tombs, clarifying the progressive influence of Han culture: beginning with increased inclusion of Han-style grave goods, followed by adoption of Han construction materials, and culminating in structural fusion and modification. This transformation pattern corresponds with the Han dynasty's governance strategies in the southwestern frontier -evolving from trade interactions to political administration. The resulting cultural landscape displayed a distinctive spatial pattern, with Han commandery influences gradually diminishing outward from administrative centers, creating diverse yet unique cultural manifestations. Keywords: typological evolution; stone-structured tombs; dolmen tombs; southwestern Yi peoples; Han culture
In the process of sorting out the Eastern Han Slip Manuscripts Unearthed in Changsha Wuyi Square,... more In the process of sorting out the Eastern Han Slip Manuscripts Unearthed in Changsha Wuyi Square, two law cases of tomb robbing were discovered. Through comprehensive analysis, it might be summarized with certainty that tomb robbing was absolutely a criminal act which would be led to death penalty. In spite of the fact that tomb robbing was explicitly prohibited and condemned by the public opinion, both official and civil tomb robbing cases still failed to be prohibited. In the specific management process, the official robbers were at large,while the civil robbers were severely punished. Behind the abnormal phenomena in the execution results is the feudal ruling order in which the imperial power is completely above the law.
汉晋异族铜灯出现于越南，传播至中国岭南，蜕变于长江流域。本文首先运用类型学厘清了器物演变特征。其次，借助时空框架，行文揭示出灯具与异族形象关系并探讨其文化背景。最后，对比各区域差异，于形象学与艺... more 汉晋异族铜灯出现于越南，传播至中国岭南，蜕变于长江流域。本文首先运用类型学厘清了器物演变特征。其次，借助时空框架，行文揭示出灯具与异族形象关系并探讨其文化背景。最后，对比各区域差异，于形象学与艺术学层面探讨异族铜灯的形象生成与文化心理。本文主要认识如下：其一，异族形象源于交州徼外族群。其二，异族铜灯的发展始终处于汉文化语境中。其三，形象的地域差异源于内地与边疆的文化异质。其四，形象生成的思想基础为华夏本位观。
As an important relic of archaeological and artistic research in Qin and Han Dynasties，Nanyue Kin... more As an important relic of archaeological and artistic research in Qin and Han Dynasties，Nanyue King’s Tomb has been attracting great attentions in academia for many years． By summarizing the characteristics of tomb，this essay argues that Nanyue King’s tomb is a culture complex with the culture of Central Plains as its core and local culture as its coat to learn the close relationship between Nanyue King’s tomb and the culture of the Central Plains with reference to the cultural factors of archeology and studies in the field of mural arts.By understanding the cultural connotations of Nanyue King’s tomb based on the materials in literatures and histories，we hold that Nanyue family gradually accepted Han culture and identified themselves with Han culture in political attitudes and cultural selection and thus laid a foreshadowing for the formation of unified and pluralistic Han culture．
Focusing on the typology study of tile-ends in Lingnan from Pre-Qin to Jin dynasty,this article c... more Focusing on the typology study of tile-ends in Lingnan from Pre-Qin to Jin dynasty,this article carries out distinctive research.The study not only analyzes cloud pattern and "long live" tile-ends as typical cases,but also conducts thematic discussion on other tile-ends,aiming at constructing chronology sequence and revealing cultural connotation of tile-ends.On the basis of clear evolution characteristics,this article integrates the relocation of administrative centers,hierarchical differences and regional characteristics of cultural traditions,finally constructs the development process of tile-ends and the formation of the three cultural zones.Through cross-regional comparison,we try to understand the formation mechanism and multi-integrated cultural connotation of tile-ends in Lingnan.
This paper carries out the study combined by the analysis of cultural factors and typological met... more This paper carries out the study combined by the analysis of cultural factors and typological method on the specific form of armor system in Sui Dynasty.It comprises three relevant but separate parts,namely typology division of warrior figurines,diachronic evolution of armor’s forms and the connotation of warrior figurines.It actually reveals that,in the scale of culture,what accompanies the united of the country is the decrease of armor’s variety and the standardization of armor system in Sui Dynasty.
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Keywords: typological evolution; stone-structured tombs; dolmen tombs; southwestern Yi peoples; Han culture