INSTITUTE OF ARCHEOLOGY
AND ART HISTORY OF ROMANIAN
ACADEMY CLUJ-NAPOCA
Journal
of Ancient History
and Archaeology
N o. 1 2–3/2025
CONTENTS
Salih SOSLU
STUDIES
A GROUP OF GOLD EARRINGS FROM BURDUR MUSEUM AND
ARCHAEOMETRY ANALYSIS (TÜRKIYE)
184
ANCIENT HISTORY
Fevziye EKER, Kasım EKER
Serkan DEMIREL
HORSES IN HITTITE SOCIETY: STATUS, SYMBOLISM AND UTILITY
3
A GROUP OF BOTTLES FROM THE LATE ANTIQUE GLASS
COLLECTION OF TOKAT MUSEUM
200
Stanislav GRIGORIEV
THRACIANS IN THE EAST. CULTURAL TRANSFORMATIONS IN THE
LATE BRONZE AGE OF KAZAKHSTAN
ARCHAEOLOGICAL MATERIAL AND REPORTS
13
Erdal KAYA
LEGIONARY GARRISON AND AUXILIARY FORTS OF THE ROMAN
EMPIRE IN ARMENIA MINOR*
Radu OTA, Ilie LASCU
ARCHAEOLOGICAL RESEARCH IN CANABAE/MUNICIPIUM
SEPTIMIUM APULENSE-SOUTHERN SECTOR
206
39
ARCHAEOLOGICAL MAPPING
Mihaela IACOB, Daniela Florina LUNGU, Flavia
Maria BARBU, Constantin Viorel MARIAN
MUNICIPIUM NOVIODUNUM (IN MOESIA INFERIOR) DURING
THE PRINCIPATE PERIOD: ARCHAEOLOGICAL PRESENTATION
USING COMPUTER SOLUTIONS, EPIGRAPHIC AND NUMISMATIC
DOCUMENTATION
Ana ODOCHICIUC, Alin MIHU-PINTILIE, Lucrețiu MIHAILESCU-BÎRLIBA
55
MAPPING HINTERLAND RESOURCES IN THE RURAL LANDSCAPE
OF GREEK POLEIS ISTROS AND TOMIS DURING THE ROMAN
PERIOD
225
ARCHAEOMETRY
ARCHAEOLOGY
Ioan Alexandru BĂRBAT, Corina Anca SIMION, Tiberiu Bogdan
SAVA, Oana GÂZA, Cristian MĂNĂILESCU, Maria Valentina ILIE
Cristian Ioan POPA
CUGIR III BRONZE HOARD. AND SOME ADDITIONS REGARDING
THE BRONZE HOARDS FROM CUGIR
72
Zhuldyzay KISHKENBAYEVA, Sergey YARYGIN, Sergazy SAKENOV
IMAGES IN THE SAKA ANIMAL STYLE OF TAUSAMALY (EASTERN
ZHETYSU REGION, KAZAKHSTAN)
101
DISCOVERING A NEW EARLY STARČEVO-CRIȘ SITE IN
SOUTHWESTERN TRANSYLVANIA AT FOLT-SUB VII (HUNEDOARA
COUNTY, ROMANIA) AND A PROCEDURE FOR DATING EARLY
NEOLITHIC SHARD SAMPLES
243
EPIGRAPHY AND PAPYROLOGY
Jerónimo SÁNCHEZ-VELASCO, Leticia TOBALINA-PULIDO
THE LATE ROMAN MAUSOLEUM OF SÁDABA (ZARAGOZA, SPAIN).
NEW SCIENTIFIC INTERPRETATIONS OF THE MONUMENT
118
ARCHAEOLOGICAL MATERIAL
A NEW FRAGMENT OF A MILITARY DIPLOMA FOR THE EQUITES
SINGULARES AUGUSTI
256
Ioan PISO, Sorin COCIȘ, Vlad-Andrei LĂZĂRESCU,
Sergiu-Traian SOCACIU
Roxana CIRȚ
POST-FIRING INTERVENTIONS ON LA TÈNE POTTERY FROM THE
EASTERN CARPATHIAN BASIN: MENDING PRACTICES
129
TWO ROMAN INSCRIPTIONS FROM JIBOU, SĂLAJ COUNTY
259
NUMISMATICS
Alexandru BERZOVAN, Bogdan PETRU,
NICULICĂ, Constantin APARASCHIVEI
Cristian GĂZDAC, Claudiu PURDEA
REVISITING OLDER DISCOVERIES. THE LATE IRON AGE FINDS
FROM BOSANCI AND VORNICENII MICI (SUCEAVA COUNTY)
144
Hasan Ertuğ ERGÜRER, Deniz Berk TOKBUDAK
A NEW ROMAN IMPERIAL PORTRAIT FROM SYEDRA
Peter ROTHENHÖFER, Florian MATEI-POPESCU
NUMISMATICS AND FORENSICS: OPERATION DACIAN GOLD. THE
HOARD GRĂDIŞTEA DE MUNTE – ‘TIMIŞOARA AIRPORT’
266
KASIM OYARÇİN, YAVUZ YEĞİN
155
AN EVALUATION OF THE OLBA NYMPHAEUM AND COINS
Aleksandr SYMONENKO
THE TERRA SIGILLATA TABLE AMPHORAE AMONG NORTH
PONTIC BARBARIANS OF ROMAN AGE
162
Dávid PETRUȚ, Sorin COCIȘ
DOMESTIC LIGHTING IN ROMAN NAPOCA (II). LAMPS
DISCOVERED ON VARIOUS SITES IN AND AROUND THE ROMAN
CITY (CLUJ-NAPOCA, ROMANIA)
170
294
REVIEWS
Dan DEAC
Isis, Sarapis And The Waves Of The Black Sea. V. Atanassova, L. Bricault
(eds.), Egyptian Cults on the Black Sea Coast / Египетските култове
по крайбрежието на Черно море, Institute of Balkan Studies with
Center of Thracology, Bulgarian Academy of Sciences / École française
d’Athènes Sofia, ISBN 978-619-7179-45-3; ISBN 978-2-86958-630-7,
“Paradigma” Publishing House, 2024, 194 p.
304
ISSN 2360 266x
ISSN–L 2360 266x
Design & layout: Francisc Baja
Editura Mega | www.edituramega.ro
e-mail:
[email protected]
TWO ROMAN INSCRIPTIONS
FROM JIBOU, SĂLAJ COUNTY
Ioan PISO
Babeș-Bolyai University Cluj-Napoca, Romania
[email protected]
Sorin COCIȘ
Institute of Archaeology and History
of Art Cluj-Napoca, Romania
[email protected]
Abstract: In 2025, restoration works on the Reformed Church of Jibou
revealed two Roman inscriptions embedded within its southern buttresses. The
church itself, first mentioned in 1460 and later passing to the Reformed community, has undergone numerous renovations, which likely facilitated the reuse
of ancient materials. The two inscriptions are believed to have originated from
Porolissum, a major Roman center near Jibou. The first, carved on limestone, is
a fragmentary votive and construction text that follows established dedicatory
formulas, suggesting the restoration of a sanctuary under the Severan dynasty.
The second, a marble fragment, points to a taurobolic altar dedicated to Magna
Mater, an extraordinary find given the rarity of marble in Dacia. Both pieces
highlight the circulation and reuse of Roman monuments in later medieval contexts. Their integration into the church masonry predates antiquarian collecting, testifying to practical, rather than scholarly, reuse.
Keywords: Roman Dacia, epigraphy, Porolissum, Roman religion, Dacia
Porolissensis.
THE CHURCH IN JIBOU
The two inscriptions were (Fig. 1/a-b) uncovered in 2025, embedded in
the outer wall of the Reformed Church at Jibou, Sălaj County.1 The church is
composed of a western tower, a rectangular nave articulated by buttresses,
and a chancel terminating in a polygonal apse, likewise flanked by buttresses,
to which a southern portico was later added. The earliest indirect reference
to the building dates from 1460. It came into the possession of the Reformed
community in the 1550s. The edifice was twice devastated, in 1658 and
1705, before undergoing a massive restoration in 1749 under the patronage
of István Wesselényi and his wife, Polixénia Daniel. Subsequent major campaigns of renovation took place in 1772, 1879, 1887, and 1892.2
During the restoration works performed in 2025, the exterior plaster of
the church’s southern façade was removed. This intervention revealed, in situ
within the masonry of two buttresses, three fragmentary epigraphic monuments, two of which date to the Roman period and constitute the focus of the
present study (Fig. 1/c-d). The precise chronology of the integration of these
epigraphic monuments into the buttress masonry cannot be established,
but it is most likely that they were reused during one of the renovation campaigns noted above, probably in the second half of the 15th century.3 The two
The church stands in the town center, at 1 Decembrie 1918 Street, no. 15, just south of the
road junction with Libertății Street and 1 Mai Street. We would like to thank our colleagues Dan
Culic (DJC Sălaj) and Emődi Tamás (SC Restitutor Pro SRL) for drawing our attention to these
finds.
2
POP/COCIȘ 2019, 284.
3
We warmly thank our colleague Dr. Ciprian Firea (Institute of Archaeology and History of
1
No. 12–3/2025
Journal of Ancient History and Archaeology
259
Vlad-Andrei LĂZĂRESCU
Institute of Archaeology and History
of Art Cluj-Napoca, Romania
[email protected]
Sergiu-Traian SOCACIU
Institute of Archaeology and History
of Art Cluj-Napoca, Romania
[email protected]
St u dies
inscriptions may have been transported from one of the two
Roman sites near Jibou, namely Tihău or Porolissum. As will
be shown below, the complex nature of the two Roman texts,
decisively favors Porolissum as their source. It should also be
noted that this important military and civilian center had
been known since the 18th century,4 serving as a quarry for
building material. Moreover, the Wesselényi-Teleki family of
Jibou owned properties in this area, from which they assembled an important archaeological collection.5 However, the
manner in which the two epigraphic fragments were worked
and set into the church masonry, as well as the fact that
they were subsequently covered with plaster, suggests that
these interventions occurred before the antiquarian phase
of archaeological collecting.
INSCRIPTION NO. 1 (Fig. 2/a)
Votive and construction inscription, limestone; parallelepiped-shaped block, lower left corner cut. Preserves faint
traces of line 1, left halves of lines 2–3, and a single letter
trace from what is considered the final line. The epigraphic
field was framed by borders, which were flattened for reuse
as a building block. This intervention is evident for the left
border and also very likely for the lower border.
Dimensions: 30 × 51 cm.
Writing: well executed letters, approximately 4.5 cm high;
line 2: hedera between letters O and E; curious dividing mark
between I and C. It is certain that the first letters of lines 2
and 3 are V and N, aligned on the same vertical axis to the
right of the former border. Equally certain is that in line 3,
E is followed by an I and not a T; to be compared with the T
in line 2.
The fragment belongs to a broad category of votive and
construction inscriptions, which record that a sanctuary,
long fallen into ruin, consumed by fire or destroyed by the
violence of enemies (vetustate dilapsum, conlapsum, vi ignis
consumptum, etc.), was restored by a benefactor or a military
unit. It is expected that the text will follow a formula similar to that of a construction inscription from Porolissum.
Discovered by Constantin Daicoviciu in 1939 during excavations at the Temple of Bêl, it was submitted for publication
to his friend Artur Stein.6 Like the inscription from Jibou,
it was carved on a limestone slab. The text of this reads as
follows:7
Art Cluj-Napoca) for providing the reading of another inscription, written
in Gothic characters, discovered on the same façade and bearing the date
1471/1474. Our colleague will also publish a dedicated study addressing all
the medieval and Renaissance elements uncovered on this occasion.
4
GUDEA 1989, 33.
5
The collection began to be assembled in the late 19th and early 20th centuries. Gróf Teleki Domokos conducted an initial excavation at Porolissum as
early as August 1907, donating all finds to the Wesselényi-Teleki family.
Later, in 1958, Anna Teleki contributed a significant portion of this collection to the newly founded County Museum of History and Art in Zalău,
where it became a central component of the museum’s general holdings, see
TELEKI 1908, 260; VERESS 1983; GUDEA 1989, 23, 37; HEGYI/KOVÁCS
2012; FÁBIÁN 2020.
6
STEIN 1944, 63; STEIN 1945, 3–4, fig. 1 (photo); For details regarding the
circumstances of discovery, see DAICOVICIU 1953, 268 not mentioned in
OPREANU/TALOȘ 2020, 102.
7
From the extensive literature on the subject, we may refer to AE 1977, 666;
PISO 1980, 277–280; AE 1980, 755; GUDEA 1989, 762, no 10; PISO 1993,
260
Journal of Ancient History and Archaeology
Pro salute [I]mp(eratoris) M(arci) Aur[eli(i)]
Antonini Aug(usti) pii fel(icis) deo
patrio Belo n(umerus) Pal(myrenorum) sagit(tariorum) templum vi ignis consumptum
5 pecunia sua restituer(unt) dedicante [[C(aio) ?] I[ul(io) Sept(imio) Cast ?]ino]
co(n)s(ulari) III Daci[ar(um) M(arco) ?] Ulpio Victore
proc(uratore) Aug(usti) prov[inc(iae) Por]ol(issensis) cura agente T(ito) Fl(avio) Saturn[ino (centurione) le]g(ionis) V
Mac(edonicae) p(iae) c(onstantis).
We are dealing with one of the most important texts concerning both the military life and organization of Dacia, as
well as Palmyrene religion, while using the following pattern:
the name of the deity; the dedication pro salute Imperatoris;
the name of the benefactor, who is also the subject of the
sentence; the building and its condition, functioning as a
direct object in the accusative; and, mandatory, the predicate, which may be followed by the circumstances of the
votive act – for example, the dedicator, the person or unit
who carried out the work, the source of funding, the possible dating through the ordinary consuls, etc., which are all
optional elements.
Let us consider to what extent this formula can be applied
to the inscription from Jibou. In the second part of line 1, we
may expect the accusative [templum], preceded by the nominative name of the benefactor or of the unit that carried out
the operation. Working backwards, in the lost lines we would
find the dedicatory formula pro salute Imperatoris, preceded
by the name of the deity to whom the sanctuary belonged.
There is no reason to doubt the reading dilapsum or conlapsum after line 2. However, a two-letter space remains at
the end of the line, where we see the beginning of an adverb
continuing in line 3 – de|nuo. This indicates that the work
was carried out anew, from a fresh beginning,8 a formula frequently encountered in inscriptions of this type.9 Following
this adverb is the dative pronoun ei, referring to the deity
to whom the sanctuary belonged. Not only was the sanctuary restored, but also an annex connected to it by the conjunction c[um]. We can invoke multiple possibilities, such as
cum columnis, cum porticibus, cum adyto, cum scalis, etc., but
the exact term cannot be determined. This missing text fills
the second half of line 3 and possibly part of line 4. If, as
we suspect, this is the last line of the inscription, it contains
a predicate such as fecit, refecit, or restituit, together with a
circumstance such as pecunia sua fecit. Considering all of the
above, fragment no. 1 may be read as follows (Fig. 2/b):
[- - - - - - ]
[pro salute Imp(eratoris) - - - ]
[...]ạẹ [- - - templum(?)]
vetustat[e dilapsum de]nuo ei c[um - - - ]
[- - - restituit(?) - - - ].
179, no 10; REUTER 1999, 529–530, no 148; ILD I 663; CARBÓ GARCÍA
2010a, 912–913, no 213; GOREA 2010, 144; HD-005830; EDCS-09300004.
8
See Oxford Latin Dictionary, Oxford 1968, 517: dēnuō < de novo.
9
AE 1904, 21 = ILAlg I 3875 = ILS 9374 (Ain Berda): - - - ponti[b]us denuo
fac[ti]s - - - ; CIL VIII 16411 = ILTun I 1568 = AE 1927, 36 (Turris Rutunda):
- - - pro salute Imp(eratoris) - - - templum de[lapsum] denuo sua pecunia fecerunt
cum columnis ornatis - - - ; CIL XIII 5373 = ILS 4598 (Vesontio): - - - templum
et porticus vetustate conlapsum denuo de suo restituit - - - .
No. 12–3/2025
St u dies
The temple may have been located, like the one dedicated
to Bêl, in the vicus militaris, but just as well in the municipium
Septimium.10 As for the date of the temple’s reconstruction,
the formula of the inscription points rather to the period
beginning with the reign of Commodus, and especially to the
Severan dynasty.11 Most likely, as in the case of the temple
of Bêl, it belongs to the reign of Caracalla (A.D. 212–217).
INSCRIPTION NO. 2 (Fig. 3)
Fragment of a marble slab, lower central part of the
inscribed field, reused as a building block. Five letters of the
last line of the inscription are preserved, while a significant
part of the inscribed field remained unused. We must stress
the fact that at Porolissum marble was difficult to obtain and
was employed only for artefacts of exceptional importance,
or was brought here in the form of small finished items.12
Dimensions: 35 × 25 cm.
Writing: the letters measure 5–5.5 cm. The first question
we raised was whether this might be a medieval inscription. After a thorough examination of the letterforms, we
concluded that they can hardly be medieval and instead
display the shapes and features of Roman provincial script.
For example, one may note the exaggerated extension of the
lower bar of L and the absence of a crossbar in A. An attempt
to identify traces of a letter in the fracture on the left yielded
no result. As for the fracture on the right, it can be stated
with certainty that A was not followed by any vertical hasta.
For this reason, we can rule out a name such as Policarpus,
which in any case was correctly spelled Polycarpus.13 On the
other hand, the letter A may have been followed by an M
with an oblique left hasta, as was customary in Roman script.
The most straightforward reading would be [apost]olica or
[cat(h)]olica. However, as these terms were not in use before
the 4th century AD, a provenance from Dacia in this case must
be excluded. Equally unsuitable is the adjective anabolicus,
-a, -um, which refers to the transport on the Nile of various
goods required by the Romans.14 A more plausible solution
may be sought in the realm of religion.
The taurobolium was a ritual specific to Magna Mater
(Cybele) and Attis, promoted to a prominent position within
the official Roman religion during the reign of Antoninus
Pius.15 It is not the term taurobolium itself that could be
For the timing of the separation of the two entities, see PISO 2001,
228–257; PISO 2005, 475–485; cf. OPREANU/LĂZĂRESCU 2016, 116–118.
11
See EDCS.
12
MÜLLER et alii 2012, 75–76, 109–114.
13
For Polycarpus (= Πολύκαρπος) see PAPE 1884, 1225–1226. We have
not considered certain extremely rare names from other regions, such as
Mocolica, see CIL V 450 = InscrIt X/3, 143 (Piquentum): Mocolica | Moliavi
f(ilia) | Pepa an(norum) LXV[...]. It would be difficult to account for the presence of such uncommon names in the final line of a marble inscription from
Porolissum.
14
Vop., Aur. 45, 1: Vectigal ex Aegypto urbi Romae Aurelianus vitri, chartae,
lini, stuppae atque anabolicas species aeternas constituit; Ulp., Frg. Vat. 137:
Anabolicarii a tutelis curationibusque habent vacationem; see ThesLL I, 13; W.
Kubitschek, RE /1 (1894), 2016. Alternative meanings such as anabolium
(ἀναβολεύς, ἀναβολαῖα) – surgical implement (Mau, RE I/1 (1894), 2016) –
or ἀναβολεύς – «one who assists another in mounting (a horse)» (Droysen,
RE I/1 (1894), 2015–2016) – deserve just as little attention.
15
From the extensive literature on this subject, see H. Oppermann, RE VA1
(1934), 161–21; GARCÍA y BELLIDO 1967, 42–63; DUTHOY 1969; HENIG
10
included in the Jibou inscription, but rather the adjective
[taurob]olica[m], derived from it. For the highly complex
and deeply meaningful sacrifice of the bull, a special altar
was used, presumably of very large dimensions, such as that
mentioned, for example, in an inscription from Vesunna:16
Numinib(us) Aug(ustorum)
et Magn(a)e Matri deum
Aug(ustae) L(ucius) Pompon(ius) Sext(i)
Pompon(ii) Paterni
sacerdot(is) Arens(is) fil(ius) Quir(ina)
Paternus aram taurob(olicam)
posuit dedicavitque.
From what is known concerning the taurobolium, it should
be noted that this sacrifice was performed for the numina
Augustorum as part of the imperial cult.17 But what is striking in the case of the Jibou inscription is the use of marble
(a material seldom attested at Porolissum), the placement of
the term under discussion at the end of the text, as though
only the predicate fecit or dedit were missing, as well as the
large area of unused space within the inscribed field. We may
therefore venture, with some justification, to suggest that
we are dealing with a slab belonging to such an altar. In this
specific case, the reading may be proposed as follows:
[- - - - - - ]
[aram taurob]olica[m(?) fecit(?)].
In this case, the name of the benefactor would have
appeared in the preceding line, and the altar would have been
dedicated pro salute Imperatoris or numinibus Imperatorum.
Given that only five letters were available, the proposed
solution should be considered more as an epigraphic exercise
rather than as a certainty.
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16
CIL XII 11042 = ILS 9278 = AE 1957, 226 (Vesunna / Périgueux); to
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redditi. For such an ara taurobolica see SCHUDDEBORN 2009, 232, 235.
17
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Fig. 2.
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Fig. 3.
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