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Cultural Cold War

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The Cultural Cold War refers to the ideological and cultural competition between the United States and the Soviet Union during the Cold War era, characterized by the use of art, literature, media, and propaganda to promote respective values, influence global perceptions, and assert cultural dominance.
lightbulbAbout this topic
The Cultural Cold War refers to the ideological and cultural competition between the United States and the Soviet Union during the Cold War era, characterized by the use of art, literature, media, and propaganda to promote respective values, influence global perceptions, and assert cultural dominance.

Key research themes

1. How did intelligence agencies utilize cultural organizations and intellectuals to wage ideological warfare during the Cultural Cold War?

This research theme investigates the covert strategies employed by intelligence agencies, primarily the CIA, to influence cultural production and intellectual discourse in Europe and beyond during the Cold War. It focuses on the mechanisms of infiltration, sponsorship, and propaganda through cultural congresses, publications, musical events, and collaborations with artists and intellectuals. The theme matters as it uncovers the complex entanglements between apparently independent cultural actors and state intelligence operations, revealing how culture became a battlefield for ideological supremacy in the Cold War.

Key finding: Saunders provides detailed evidence of how the CIA funded and controlled anti-communist cultural organizations like the Congress for Cultural Freedom, using various front groups and philanthropic foundations (e.g., Ford and... Read more
Key finding: This paper reveals the operations of the Soviet Writers' Union Foreign Commission as a cultural diplomacy and propaganda tool designed to mediate and influence foreign intellectuals. It counters the assumption of proactive... Read more
Key finding: This historiographical essay highlights how U.S. Cold War diplomacy integrated elements like radio broadcasting, exhibitions, and consumer culture across regions such as Europe and Asia to propagate Americanization. It... Read more

2. What role did visual propaganda and cultural production play in Third World solidarity and anti-imperialist struggles during the Cultural Cold War?

This theme explores the production, dissemination, and reception of visual propaganda materials in Third World contexts, especially focusing on the role of organizations like OSPAAAL. It examines how graphic art, posters, exhibitions, and cultural artifacts were employed to foster international solidarity against imperialism and colonialism, impacting global Cold War dynamics. Understanding this area is vital as it diversifies Cold War historiography beyond East-West binaries, recognizing the agency of Global South movements and their cultural-political expressions in shaping ideological battles.

Key finding: Schmiedecke provides an empirically grounded analysis of the circulation, reproduction, and global reception of OSPAAAL’s poster art, emphasizing their significant but understudied role in disseminating the Tricontinentalist... Read more
Key finding: This study analyzes OSPAAAL’s prolific cultural production—posters, bulletins, and magazines—and situates its graphic art within avant-garde and post-revolutionary Cuban aesthetics that facilitated revolutionary anti-colonial... Read more
Key finding: This dossier introduction connects Latin America’s guerrilla movements and authoritarianisms to the broader global sixties and Cold War struggles. It situates cultural and political violence within an international context,... Read more

3. How were Cold War cultural narratives constructed and contested through art and memory in diverse geopolitical contexts?

This theme examines the contested memories and cultural representations of the Cold War as shaped by different actors in various national and ideological contexts. It focuses on the role of memory, historiography, and cultural productions—including cinema, art galleries, and childhood memories—in framing Cold War experiences and ideological identities. This research informs understanding of Cold War legacies in shaping postwar narratives, identity politics, and cultural modernity across Eastern Europe, Latin America, Asia, and postcolonial societies.

Key finding: This volume addresses how Holocaust memory was shaped and politicized by Cold War ideological divides between East and West, revealing how both camps used memory narratives for divergent political aims. It challenges... Read more
Key finding: This article argues that Fernando Zóbel’s founding of the Ateneo Art Gallery exemplifies how postcolonial identity and modern international aesthetics intersected in the Philippines. It shows how cultural institutions... Read more
Key finding: This edited volume foregrounds personal and collective childhood memories from across the Iron Curtain to create an 'anarchive' that challenges official Cold War histories. It highlights how intimate recollections reveal the... Read more
Key finding: The article analyzes Soviet Thaw-era films portraying romances between Soviet and American characters, demonstrating that these narratives functioned as ideological tools reinforcing Soviet socio-political values and gender... Read more

All papers in Cultural Cold War

Korea but not in area studies since the 2010s. Ultimately, this article contends that the gap between historians in South Korean and North America has widened as the nationalist mission of South Korean historians (guksahakja) and minority... more
Eines meiner ersten Sprüche, die ich nach dem Fall der Mauer präsentiert habe war: "Absoluter Individualismus im Westenabsoluter Kollektivismus im Osten: Nein Danke! Nur gemeinsam sind wir stark." Darin wollte ich die innere Logik von Ost... more
Zainteresowanie londyńskim tygodnikiem zaczęło się na dobre dopiero w połowie lat 60. i było spowodowane zawarciem porozumienia pomiędzy "Wiadomościami" i monachijską rozgłośnią Radia Wolna Europa. Równocześnie ze zbieraniem opinii na... more
Introduction Herbert J. Strentz’s doctoral dissertation, A Survey of Press Coverage of Unidentified Flying Objects, 1947–1966 (Northwestern University, 1970), remains one of the earliest substantial scholarly examinations of the UFO... more
In 1950s-1960s Greece, crucial actors of the Civil War's victorious national-minded side-namely the state, the Christian brotherhood Zoe, and the royal couple Queen Frederica and King Paul-took charge of shaping the country's postwar... more
The framing of nuclear science and space achievements in Cold War Greece reveals the strategies of US cultural diplomacy and the pivotal role of the United States Information Agency (USIA) in these strategies. American scientific and... more
This article explores the intersection of language and knowledge in Korea’s translation field during the enlightenment-era by analyzing the glossary appended to the astronomy textbook, Tyeonmun ryakhae(1908). Translated into vernacular... more
Apesar das relações internacionais terem um campo de estudo muito extenso, uma área pouco desenvolvida por ela é a área da cultura. A cultura além de se configurar como um direito, também é vista pelo sistema internacional como... more
Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional.
Le chansonnier R est fort précieux pour la tradition musicale des troubadours, vu qu’il conserve 160 pièces notées, parmi lesquelles 119 unica musicaux. Cependant de nombreuses erreurs sont présentes, dans les mélodies comme dans le texte... more
iv <표 12> UNCu 대학교 1958 년도 '디자인 및 장식' 교과과정. 에이린(Guillermo Eirin)제공. 연구자 편집. 일차자료 에이린(Guillermo Eirin) 교수가 제공한 자료. 연구자 편집. 237 <표 13> UNCu 대학교 1964 년도 '산업디자인 및 장식'교과과정. 에이린 (Guillermo Eirin)제공. 연구자 편집. 일차자료 에이린(Guillermo Eirin) 교수가 제공한 자료.... more