Drafts by Jeyakumar Ramasami
In Buddhist tradition, a figure equivalent to Kalki is described in two distinct ways depending o... more In Buddhist tradition, a figure equivalent to Kalki is described in two distinct ways depending on the scriptures: Maitreya, the universally recognized future Buddha of peace and compassion, and Rudra Chakrin (the Wrathful Wheel-Turner), a fierce warrior king detailed specifically in esoteric Tibetan Vajrayana texts.
While Kalki and the biblical Rider of the White Horse share striking symbolic similarities, they ... more While Kalki and the biblical Rider of the White Horse share striking symbolic similarities, they are distinct figures from different religious traditions-Hinduism and Christianity, respectively. Many theologians and scholars view them as parallel "saviour" archetypes that appear during the "end times" to vanquish evil. [1, 2, 3, 4] Key Similarities The parallels between the two figures are frequently noted in comparative religion studies: [5]
Dead man's soul crossing the Vaitarani River. "Vaitaranitara" literally translates from Sanskrit ... more Dead man's soul crossing the Vaitarani River. "Vaitaranitara" literally translates from Sanskrit as "one who crosses or helps in crossing the Vaitarani river." It combines Vaitarani (the mythological river of the afterlife) with Tara (from the Sanskrit root tṛ, meaning "to cross" or "to ferry across"). [1, 2, 3, 4, 5] The phrase is deeply rooted in Hindu mythology, particularly in the Garuda Purana, which describes the soul's journey after death. [1, 6] 0 1 F 3 0 A The Mythological Context: What is the Vaitarani?
To expand your positional grammar model, we will analyse one of the most prominent, high-frequenc... more To expand your positional grammar model, we will analyse one of the most prominent, high-frequency triplets (trigrams) in the Mahadevan Corpus Concordance: the "Bearer/Carrying Man
To rigorously test your framework, we must map your theories-Egyptian Hieroglyphic Mechanics, Hin... more To rigorously test your framework, we must map your theories-Egyptian Hieroglyphic Mechanics, Hindu Death Rituals, and Positional Statistical Analysis-directly onto the actual data. We will use the canonical Iravatham Mahadevan Corpus Concordance (the standard for global sign frequencies) to see how your ideas align with the hardest math in Indus epigraphy.
Nara and Narayana are twin sage avatars of Vishnu, representing humanity (Nara) and the divine (N... more Nara and Narayana are twin sage avatars of Vishnu, representing humanity (Nara) and the divine (Narayana), born to uphold Dharma, famous for severe penances at Badrinath, defeating the demon Sahasrakavacha, and famously reincarnating as Krishna and Arjuna in the Mahabharata to fight for righteousness. Their story highlights the union of human effort and divine grace, with Nara symbolising the seeker and Narayana the guide. [1, 2, 3, 4, 5] Two Birds story-re-told by Swami Vivekananda
It is a story from the Upanishads that explains the split personality of the mind. One part is di... more It is a story from the Upanishads that explains the split personality of the mind. One part is divine in nature, the other part is an ordinary man's character. If you follow the divine quality, you become a great person.
The oldest known inscriptions of the Vinča culture are the so-called Vinča symbols, appearing on ... more The oldest known inscriptions of the Vinča culture are the so-called Vinča symbols, appearing on pottery, figurines, and spindle whorls from Neolithic sites in Southeast Europe. Among these, the Tartaria tablets were discovered in Romania in 1961. This makes them potentially older than the earliest known Mesopotamian or Egyptian writing, predating them by more than a thousand years. However, these symbols have not been deciphered so far. Now, my research shows that these symbols look similar to Indus script symbols and have the same meaning as the Indus symbols.
It is surprising to note that the Indus script survived in Tamil Nadu till the Sangam age. Even i... more It is surprising to note that the Indus script survived in Tamil Nadu till the Sangam age. Even in the Sangam age, it was a form of mixed writing that combined the Indus script and Tamil.
Fortunately, we can determine the ancient migration pathway of people using genetic studies. Usin... more Fortunately, we can determine the ancient migration pathway of people using genetic studies. Using this method, the origin of the Dravidian people can be determined.

There is a lot of information about the Keeladi excavation site, Madurai, and a new field museum ... more There is a lot of information about the Keeladi excavation site, Madurai, and a new field museum has been built recently in that village. However, I have restricted my discussion in this article only to the issue of scripts used in the Keeladi site; details are as given below: Keezhadi, or Keeladi, is a Sangam period settlement site, where excavations are carried out by the Archaeological Survey of India (ASI) and the Tamil Nadu State Department of Archaeology. This site is located near Keezhadi in Sivaganga district, Tamil Nadu, about 12 km southeast of Madurai. The settlement lies on the bank of the Vaigai River, and it reflects the ancient culture of Tamil Nadu. (1) Epigraphist V. Vedachalam, a domain expert for the excavation, dated the excavated remains between the 6th century BCE and the 3rd century BCE. However, the claimed dating of Tamil-Brahmi potsherd inscriptions to pre-3rd century BCE has been questioned due to a lack of detailed information in the published reports. Because of disturbances in the stratigraphy of the site-with many potsherds retrieved from mixed contexts of an ancient rubbish-dump cut as a large pit into deeper, older layers-making it doubtful whether any Tamil-Brahmi findings were from the same age as the dated charcoal samples, and the site remained occupied till the 1st century CE. (1)
The man in bondage symbol appears many times; most probably, he was sacrificed.
The seal inscription from Anai Kottia reveals a new phenomenon: it indicates that the message was... more The seal inscription from Anai Kottia reveals a new phenomenon: it indicates that the message was written in bilingual form, and my research confirms that fact.
This cave inscription near Thindivanam indicates a funeral ceremony of a chieftain named "KaruVan... more This cave inscription near Thindivanam indicates a funeral ceremony of a chieftain named "KaruVan". The word karuvan indicates the gatekeeper god "Karuppaswami".
The "twisted bird" symbol in the Indus script signifies "Fear," mirroring its meaning in ancient ... more The "twisted bird" symbol in the Indus script signifies "Fear," mirroring its meaning in ancient Egyptian hieroglyphics.
Reference to the above symbol: page 116 of the book by Gurumurthy. The reference "GMM" refers to ... more Reference to the above symbol: page 116 of the book by Gurumurthy. The reference "GMM" refers to the Government Museum, Madurai. The exact place where this artefact was found is not known. This comb-like symbol appears in IVC as well as in Tamil Nadu graffiti. Gurumurthy defines the symbol simply as "Comb". But it is not as simple as that. There is a deeper meaning behind this symbol. I have already determined its value as "Offering" in my earlier book, the "Indus Symbols Dictionary". The exact meaning is also applicable in ancient Tamil Nadu. This "comb" symbol had to be read with other accompanying symbols to understand its true sense.
This is a kedaga (shield) symbol from Karur. The graffiti inscription reads the following: Read f... more This is a kedaga (shield) symbol from Karur. The graffiti inscription reads the following: Read from right to left. The first symbol indicates the "Thunderbolt," Varuna's weapon. The second symbol indicates the karkida moth offering to Pithrus (Ancestors). The third symbol represents the shield (kedaga). This means an offering was made to Pithrus to protect them in heaven or hell, depending on their karma. At this juncture, I am compelled by instinct to recount an incident. I was working in Trichy in 2017 and went to Srirangam to perform my Pithru karma on the day of Sarvapithri Amavasya, which falls in September (the date varies every year depending on the Amavasya, the new moon Date). It was overcrowded, and I was trapped in the crowd, unable to move in any direction. I returned without offering my respects to my parents. Still, that feeling of failure is lingering within me.
The single mountain symbol represents Varuna, while the double mountain symbol in Tamil Nadu Graf... more The single mountain symbol represents Varuna, while the double mountain symbol in Tamil Nadu Graffiti represents either Varuna or the Egyptian god Geb.
Many important symbols of IVC are derived from ancient Egyptian civilisation. Hence, I naturally ... more Many important symbols of IVC are derived from ancient Egyptian civilisation. Hence, I naturally expected the important ankh symbol to be in modified form in the Indus script. The Ankh symbol is present in IVC, but in a confusing form.
The caduceus symbol rarely occurs in IVC seal inscriptions. The seal below shows the caduceus sym... more The caduceus symbol rarely occurs in IVC seal inscriptions. The seal below shows the caduceus symbol. It is essential to know which god this caduceus symbol represents.
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Drafts by Jeyakumar Ramasami