
Sam van Schaik
I work at the British Library, as Head of the Endangered Archives Programme. I previously worked at the International Dunhuang Project, as Research Project Manager and lead researcher of various projects including Beyond Boundaries: Religion, Region, Language and the State (ERC), Tibetan Zen (British Academy), Tibetan and Chinese Paleography (Leverhulme), and the Tibetan Tantric Manuscripts from Dunhuang (AHRC). I received my PhD in Tibetan Studies from the University of Manchester in 2000.
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Library, I came across a set of diagrams with Tibetan writing on the
back of a Chinese scroll. The scroll had been catalogued and placed in
the sequence of Chinese manuscripts from Dunhuang (Or.8210/S.)
and thus the Tibetan side had been completely overlooked for nearly
a hundred years. Though the collections from Dunhuang are always
full of surprises, this was a big one.
Bodhgayā by Tibetan pilgrims in collaboration with local Indian Buddhist tantrikas. Heading these collections is a sādhana for the Vajrāsana Buddha, an imaginative recreation of the Śākyamuni on the vajra throne at Bodhgayā. Showing how the sādhana visualisation corresponds to descriptions of the vajra throne by earlier pilgrims such as Xuanzang, I argue that the sādhana served as a portable recreation of the act of pilgrimage and worship.