Papers by MARIA ANGELES CIPRES PALACIN
ROLDE. Revista de cultura aragonesa, 2026
Poetry usually constitutes the first genre in which an emerging language manifests itself. In the... more Poetry usually constitutes the first genre in which an emerging language manifests itself. In the Aragonese case, this is evidenced by the first authors who wrote in this language. Numerous studies have highlighted the relevance of poetic production in Aragonese, especially that published in the initial moments when writing in the newly standardized language was beginning to consolidate thanks to the poems of its precursors. These pages will not address those foundational collections of poems, but rather the poetic work of those who continued the path initiated by them.
Lou Felibrige, 2023
Before presenting this work to you, it must be remembered that it is a study presented exactly 40... more Before presenting this work to you, it must be remembered that it is a study presented exactly 40 years ago now. This means that, in all certainty, the reading of Théodore Aubanel's work would be different today.
Among the objectives of the thesis, we point out the following:
1/ To present the linguistic-literary movement of the Félibrige, as well as its goal to revive the Provençal language while composing masterpieces. In the 20th century, Provençal literature was considered a "related" or parallel literature to the official literature in the French language. However, it had a major resonance in other countries such as Romania, Greece, Poland, etc., or in regions that sought, at the time, to assert their cultural autonomy, such as Alsace, Brittany, Gascony, Catalonia, etc.
2/ To deepen the knowledge of a poet such as Théodore Aubanel, whose work had been called into question for various reasons. A romantic and Catholic poet who found himself accused of immorality was one of the aspects that caught our attention: it was therefore necessary to discover, through a detailed critical reading, how one could argue this quality of immorality in a poetic work.
3/ To conduct a "new" critical reading of Aubanel's work, once the criticism of his literary production has been read and classified. We start from the hypothesis that the readings carried out were influenced by historical-political issues or by "impressions" or "intuitions" that are not entirely justified by the linguistic elements of the texts. The essential objectives of this reading were: first, to try to situate Aubanel's poetic writing within the literary panorama of the era, and second, to successfully carry out a study of Théodore Aubanel's work in itself. All of this was intended to allow us a "new" vision of Aubanelian literary production.
MicRomania 126, 2023
The generation of female writers from the sixties—Carmina Paraíso, Ana Tena, Elena Chazal, or Pil... more The generation of female writers from the sixties—Carmina Paraíso, Ana Tena, Elena Chazal, or Pilar Benítez—took over from the poets of the 17th century (Ana Francisca Abarca de Bolea y Mur, Isabel de Rodas y Araiz) and authors from the early 20th century (Nieus Luzía Dueso, Rosario Ustariz, Victoria Nicolás, Lourdes Nasarre, Natividad Castán, Maria José Subirá, or Rosa Guaus). To this lineage belonging to the "new poetry in Aragonese written by women," two new names are added today: Ana Giménez Betrán, a recognized author of short stories who published her first collection of poems in 2022, and Lucía López Marco.
Lou Felibrige, 2023
Homage to the Slovenian writer Mr. Boris Pahor, who passed away recently. First of all, I must re... more Homage to the Slovenian writer Mr. Boris Pahor, who passed away recently. First of all, I must remind you that Mr. Boris Pahor was the Vice-President of the Association for the Defence of Threatened Languages and Cultures (AIDLCM), a member of the Slovene Writers’ Association and the Slovenian PEN Centre; currently he was, and will continue to be, one of the Honorary Presidents of ALCEM alongside Mr. Paul Lefin.
Various media outlets have considered him, in turn, as the doyen of world literature, the greatest humanist of our time; a totemic philosopher and thinker; the living voice of European memory; the great voice of a small nation...
1616.Anuario de Literatura Comparada, 13, 2023
Within the theoretical framework proposed by literature theory specialists in relation to the int... more Within the theoretical framework proposed by literature theory specialists in relation to the intermediality and the remediality (Gil González & Pardo 2018) and taking into consideration the approaches of Mario Praz (1979), Roland Barthes (1980), Irene Artigas (2013) or the theoretical reflections presented by Antonio Monegal (2000) regarding the comparison between literature and others visual arts, we propose to carry out an analysis of the novel by Hélène Gaudy A world without a shore. The aim is to analyze the remediation process carried out by the author when she sets out to novel the story of three Danish explorers whose balloon disappeared in the Arctic in 1897. The original medium is made up of the 48 recovered images, in many cases really damaged, from the reels of film that were found in 1930 among the remains of the missing balloon as well as fragments of the diary of one of the explorers. The literary result is a novel in which the fiction is based on the author’s attentive gaze on these black and white images and on the incomplete texts of the newspaper.
The source medium (or hypermedium) in this case is fundamentally the image, while the host medium or (hypomedium) is a novel written as a travel card, since it seems to follow the structure of the incomplete diary found. Our analysis will allow us to establish the mechanisms of representation of images in the literary word while illustrating an example of remediality: a medium, the photographs, represented and described in another medium, the literary text. One of the peculiarities is the simultaneous presence of hypermedium in the discourse woven by the author.
Fuellas 273-274, 2021
Since the 2019 publication of an anthology of poetry in Aragonese written by women[1], new female... more Since the 2019 publication of an anthology of poetry in Aragonese written by women[1], new female poets have played a leading role in the literary landscape of the Aragonese language, especially regarding poetry.
The generation of female writers from the sixties—Carmina Paraíso, Ana Tena, Elena Chazal, or Pilar Benítez—took over from the poets of the 17th century (Ana Francisca Abarca de Bolea y Mur, Isabel de Rodas y Araiz) and authors from the early 20th century (Nieus Luzía Dueso, Rosario Ustariz, Victoria Nicolás, Lourdes Nasarre, Natividad Castán, Maria José Subirá, or Rosa Guaus). To this lineage belonging to the "new poetry in Aragonese written by women," two new names are added today: Ana Giménez Betrán, a recognized author of short stories who published her first collection of poems in 2022, and Lucía López Marco.
Luenga & Fablas 25, 2021
This paper aims to present the results of the analysis of Carmina Paraíso’s poetry work. She writ... more This paper aims to present the results of the analysis of Carmina Paraíso’s poetry work. She writes in Aragonese language since the nineties and her books of poems have been awarded with different Aragonese literature prizes. We consider that Carmina Paraíso is –alongside other women writers
such as Pilar Benitez, Ana Tena y Elena Chazal– an essential female voice in the Aragonese poetry writing. We will convey an analysis of the four books of poems published by “O manantial de Sietemo” and by “O consello d’a Fabla Aragonesa” between 2001 and 2007 and we will study her two last publications (2008 and 2019). The objective of this paper is to present the aesthetic and literary values of a discourse in a minority language where nature, the passing of time and life merge in words succeeding to arise
emotions in the reader.
Le regard et la parole du lecteur au départ du processus créateur en littérature
Le regard et la parole du lecteur au départ du processus créateur en littérature
El universo poético de Theodore Aubanel
El universo poetico de Theodore Aubanel pretende ser un estudio socio-historico y linguistico-lib... more El universo poetico de Theodore Aubanel pretende ser un estudio socio-historico y linguistico-liberal en torno a la figura de un escritor provenzal del siglo XIX que pertenecio al movimiento renacentista provenzal conocido con el nombre del Felibrige. Despues de una introduccion que intenta recopilar de modo exhaustivo las publicaciones y articulos que se han ocupado hasta ahora de la obra del felibre el trabajo se centra en cuatro niveles de analisis (fonologico morfo-sintactico lexico-semantico e interpretativo) que buscan la posible coherencia existente en la estructuracion del universo del escritor a partir del texto.
Lecture des poèmes de Pierre Garnier: Marseille, un reportage (1993)
Revista de filología románica, 1994
Luenga & fablas: publicazión añal de rechiras, treballos e decumentazión arredol de l'aragonés e a suya literatura, 2008
En este artículo se hace una revisión de la producción poética en lengua aragonesa publicada en l... more En este artículo se hace una revisión de la producción poética en lengua aragonesa publicada en los siglos XX y XXI, en especial de los últimos treinta años, en que ha experimentado un auge extraordinario. Orientan el trabajo dos objetivos: a) el análisis de la trayectoria de la escritura en aragonés literario común que se inicia en los años 70 y su coexistencia con la poesía en diferentes dialectos; b) una revisión de los planteamientos temáticos y formales de dicha escritura para tratar de establecer las tendencias dominantes. PAlAbRAs clAve / Key woRds: lengua aragonesa; poesía contemporánea; trayectoria; planteamientos temáticos y formales; tendencias dominantes. Résumé Dans ce travail on fait une révision de la production poétique en langue aragonaise publiée dans les siecles XX et XXI, surtout des dernières trente années, dans lesquelles a expérimenté un essor extraordinaire. Orientent le travail deux objectifs: a) l'analyse du parcours de l'écriture en aragonaise literaire commun, qui s'entame dans les années 70, et sa coexistence avec la poésie en différents dialectes; b) une révision de comment ont été envisagés les sujets et les formes de ladite écriture pour essayer d'établir les tendances dominantes. mots clés: langue aragonaise; poésie contemporaine; parcours, sujets, formes et tendances dominantes.
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Papers by MARIA ANGELES CIPRES PALACIN
Among the objectives of the thesis, we point out the following:
1/ To present the linguistic-literary movement of the Félibrige, as well as its goal to revive the Provençal language while composing masterpieces. In the 20th century, Provençal literature was considered a "related" or parallel literature to the official literature in the French language. However, it had a major resonance in other countries such as Romania, Greece, Poland, etc., or in regions that sought, at the time, to assert their cultural autonomy, such as Alsace, Brittany, Gascony, Catalonia, etc.
2/ To deepen the knowledge of a poet such as Théodore Aubanel, whose work had been called into question for various reasons. A romantic and Catholic poet who found himself accused of immorality was one of the aspects that caught our attention: it was therefore necessary to discover, through a detailed critical reading, how one could argue this quality of immorality in a poetic work.
3/ To conduct a "new" critical reading of Aubanel's work, once the criticism of his literary production has been read and classified. We start from the hypothesis that the readings carried out were influenced by historical-political issues or by "impressions" or "intuitions" that are not entirely justified by the linguistic elements of the texts. The essential objectives of this reading were: first, to try to situate Aubanel's poetic writing within the literary panorama of the era, and second, to successfully carry out a study of Théodore Aubanel's work in itself. All of this was intended to allow us a "new" vision of Aubanelian literary production.
Various media outlets have considered him, in turn, as the doyen of world literature, the greatest humanist of our time; a totemic philosopher and thinker; the living voice of European memory; the great voice of a small nation...
The source medium (or hypermedium) in this case is fundamentally the image, while the host medium or (hypomedium) is a novel written as a travel card, since it seems to follow the structure of the incomplete diary found. Our analysis will allow us to establish the mechanisms of representation of images in the literary word while illustrating an example of remediality: a medium, the photographs, represented and described in another medium, the literary text. One of the peculiarities is the simultaneous presence of hypermedium in the discourse woven by the author.
The generation of female writers from the sixties—Carmina Paraíso, Ana Tena, Elena Chazal, or Pilar Benítez—took over from the poets of the 17th century (Ana Francisca Abarca de Bolea y Mur, Isabel de Rodas y Araiz) and authors from the early 20th century (Nieus Luzía Dueso, Rosario Ustariz, Victoria Nicolás, Lourdes Nasarre, Natividad Castán, Maria José Subirá, or Rosa Guaus). To this lineage belonging to the "new poetry in Aragonese written by women," two new names are added today: Ana Giménez Betrán, a recognized author of short stories who published her first collection of poems in 2022, and Lucía López Marco.
such as Pilar Benitez, Ana Tena y Elena Chazal– an essential female voice in the Aragonese poetry writing. We will convey an analysis of the four books of poems published by “O manantial de Sietemo” and by “O consello d’a Fabla Aragonesa” between 2001 and 2007 and we will study her two last publications (2008 and 2019). The objective of this paper is to present the aesthetic and literary values of a discourse in a minority language where nature, the passing of time and life merge in words succeeding to arise
emotions in the reader.