
Carlo Salone
Full professor of Political and Economic Geography at DIST, University of Turin, I teach Regional Geography of Development and Territorial Development. I also taught as a visiting lecturer in France (Paris 10), Spain (Girona, Doctoral School of Geography and Planning) and Finland (Oulu, Doctoral School of Geography), and I am currently visiting professor at the UPEC, Paris, Université Lyon 2-Lumière, Université Paris 7- Diderot and Ecole de Haute Etudes en Sciences Sociales. My main research interests are regional development, urban systems, and the role of culture and art in urban development.
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Papers by Carlo Salone
Starting from a theoretical reflection on analytical frameworks available in geography to analyze the phenomenon of logistics, this article advances the notion of territorial logistics regimes (TLR). The authors argue that the debate should go beyond the dichotomy between territorial development and critical studies, which is especially strong in Italian literature, and frame logistics as an urban phenomenon in the form of logistical hinterlands. They proceed to advance a political economy framework, incorporating some recent reflections on the return of State capitalism and on the paradigm of infrastructure-led development. TLRs, understood as coalitions of public and private actors with a common interest in logistics development, are meant as a heuristic to clarify the political and economic power dynamics of the multiple actors revolving around logistical hinterland development. To conclude, some research
avenues are suggested.
un objet nouveau dans les recherches en sciences sociales. Toutefois,
la culture est devenue depuis trente ans l’un des principaux enjeux des
politiques de développement urbain dans les métropoles mondiales,
souvent sous les atours de la ville créative 1, interrogeant ainsi les modalités
contemporaines de la production de l’espace. Les villes européennes
– notamment leurs centres – présentent de ce point de vue la particularité
d’être largement patrimonialisées selon une conception occidentale
du patrimoine ayant longtemps privilégié la dimension matérielle et
monumentale de celui-ci. Elles sont traversées parallèlement par des
processus de « mise en culture », amorcés dès la décennie 1990 et qui
se sont affirmés au tournant des années 2000, avec l’émergence d’un
nouveau paradigme des politiques des lieux culturels 2.
Cette évolution pose ainsi la question de la valorisation, voire même
du simple entretien, d’un riche patrimoine et de la promotion de l’action
culturelle, dans un contexte économique où les ressources publiques
diminuent drastiquement et où la culture et le patrimoine sont souvent
le premier secteur à être amputé financièrement, et ce à toutes les
échelles.
The article analyses the trap scene in the Barriera di Milano neighbourhood (Turin), highlighting the socio-spatial aspects of a musical production that is very popular among the second generation of immigrants, but relatively little present in urban studies on contemporary Turin, partly because it is a production largely entrusted to non-professional musicians and it circulates mainly on digital streaming platforms. In this paper we aim to fill this gap, focusing on the simultaneously ‘situated’ and ‘global’ nature of a phenomenon that feeds on local marginality and exclusion, and, at the same time,on imagery and expressive codes borrowed from the international trap ‘scene’, and in particular from the ‘rap of the banlieues’. To achieve this, the analysis makes use of the conceptual tools of embeddedness theory.