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Sociology of Creativity

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lightbulbAbout this topic
The sociology of creativity is the study of how social structures, cultural contexts, and interpersonal relationships influence the processes of creative thought and expression. It examines the role of societal factors in shaping individual and collective creativity, exploring how creativity is produced, recognized, and valued within different communities and institutions.
lightbulbAbout this topic
The sociology of creativity is the study of how social structures, cultural contexts, and interpersonal relationships influence the processes of creative thought and expression. It examines the role of societal factors in shaping individual and collective creativity, exploring how creativity is produced, recognized, and valued within different communities and institutions.

Key research themes

1. How do socio-cultural contexts and institutional factors shape the processes of creativity and innovation?

This research area emphasizes understanding creativity and innovation as inherently social and culturally embedded phenomena. It investigates the roles of social structures, institutional frameworks, power dynamics, and collective agents in facilitating, constraining, or shaping creative activities and the acceptance of innovations. The sociological systems perspective articulated in a multipart framework highlights how creativity results from interactions among social roles, norms, resources, and selective environments, underlining the importance of examining both origination and institutional acceptance phases. This theme advances knowledge on how multiple factors — from individual innovators to societal power structures — interrelate in creative and innovative developments, crucial for policy-making, organizational strategies, and understanding creativity beyond psychological individualism.

Key finding: Introduces a sociological systems model (Actor-Systems-Dynamics) that conceptualizes creative agents as embedded in social, cultural, and institutional frameworks, and outlines multiple socially based creativity production... Read more
Key finding: Applies the sociological systems approach to diverse empirical instances, demonstrating that innovation emerges from socially situated agents (individuals, groups, communities) interacting within institutional, cultural, and... Read more
Key finding: Examines the selective social environments where creative outputs undergo processes of acceptance, legitimization, and institutionalization or, alternatively, rejection and suppression. The paper emphasizes the role of power,... Read more

2. In what ways do cultural values, implicit theories, and social perceptions influence creativity and its development across diverse populations?

This research theme focuses on understanding how culture — including values, norms, cognitive styles, and implicit lay theories — fundamentally shapes notions of creativity, its evaluation, and creative identity. Cross-cultural comparisons elucidate differing emphases on internal versus external expressions of creativity and how collectivist versus individualist orientations mediate creative self-beliefs and behaviors. Investigating perceptions among both artistic and non-artistic individuals, and among children and students, this area reveals how social context and cultural mediation affect who is seen as creative, how creative potential is nurtured or constrained, and how educational systems and media influence creative identity formation and self-efficacy. These insights inform culturally sensitive creativity development and educational practices.

Key finding: Demonstrates that creative ability among 5th-grade students in Chile is significantly influenced by socioeconomic status (SES), with higher SES correlated to greater creativity test scores and academic performance. This... Read more
Key finding: Finds that individuals with and without artistic identities perceive creative professional roles (artists, creators, entrepreneurs, leaders, managers) in statistically similar ways, suggesting that artistic potential exists... Read more

3. How can creativity and innovation be conceptualized and fostered as multilevel, complex processes within educational and organizational ecosystems?

This theme addresses the conceptualization of creativity and innovation as multifaceted, dynamic, and situated within complex social, institutional, and cultural systems. It encompasses frameworks that integrate individual cognitive processes (such as dual-process models of conventionality), social interactions, and organizational contexts, advancing beyond fragmented disciplinary approaches. Research in this area explores educational challenges, including preparing learners for uncertain futures, leveraging technology, and embedding creative competencies in curricula. It also examines the role of media, collaborative networks, and transdisciplinary research to foster creativity in globalized, rapidly changing environments, recognizing creativity’s key role in adaptation, problem-solving, and innovation-driven economies.

Key finding: Analyzes how educational systems worldwide are unprepared for fostering creativity necessary for future challenges, especially highlighted by the COVID-19 crisis. Proposes a sociocultural framework viewing education as a... Read more
Key finding: Develops a multilevel, complex and nonlinear model framing creativity and innovation as interconnected processes within assemblages characterized by affordances and boundary conditions. It distinguishes creativity and... Read more
Key finding: Introduces a dual-route process model of creative thinking emphasizing both spontaneous and intentional navigation along a spectrum of conventionality. The model highlights how deliberate cognitive and social skills enable... Read more
Key finding: Utilizes socio-cognitive theory to argue that traditional and modern media content can positively influence creative self-beliefs and behaviors through observational learning. It stresses media's potential as informal... Read more

All papers in Sociology of Creativity

Most migration research is focused on migrant experiences after mobility and settlement. We argue that empirical researchers would benefit from studying how cognitive migration, the narrative imagining of oneself inhabiting a foreign... more
This article tries to specify, first of all, to what extent the axial civilizations produced around 500 before our era were original. To do this, starting from a comprehensive Weberian sociology and the social and historical heuristic... more
Poetry is a form of positive distraction for youths that can improve mental wellbeing. During stress, trauma, and grief, poetry writing helps put thoughts together. The COVID-19 lockdown period gave rise to many artistic expressions from... more
The community of scholars working in or around the field of international relations is increasingly splintered across multiple empirical, methodological and theoretical divides. Faced with increasing fracturing pressures, what steps can... more
In 2007, the British Journal of Politics and International Relations (BJPIR) devoted an issue to gendering International Relations. It opens with Cynthia Enloe addressing the 'politics of casual forgetting'. I investigate this notion of... more
In the context of higher education as social space or field in the Bourdieusian sense, exploring the lived experiences of early career postgraduate supervisors allow us to (re)consider the institutionalised rhythms, procedures and... more
My objective in this paper is to problematize the call for dialogue and engagement between feminists and non-feminist International Relations (IR) scholars. I will concentrate on two pieces of scholarship to discuss the issue of dialogue:... more
In this introduction, we situate 'gender and international relations in Britain'. We discuss our understandings of gender, I/international R/relations and GIR. In the second section we discuss the relationship of feminist to gendered IR,... more
ty seminars; and the Harvard Business School Department of Research for its sponsorship of the research. Dan Brass and three anonymous ASQ reviewers provided very helpful feedback and editorial guidance. Errors and omissions remain ours.
The three-part article of which this one is Part III is predicated on the principle that creativity is a universal activity, essential in an evolutionary perspective to adaptation and sustainability. This work on the sociology of... more
que presenta un carácter novedoso y que rescata la noción de creatividad como un tema esencial de la teoría sociológica, este artículo se propone como objetivo analizar si el sistema económico global ha comercializado y desustancializado... more
correlations with other potential variables should not be underestimated, as it will lead to better measures and, ultimately, better research. As of now, due to data collection limitations-lack of interest as previously discussed-there is... more
This paper investigates how pervasive games, which explore the potential of storytelling on mobile and locative media, can transfer knowledge about serious topics regarding public space. The discussion anchors on Chronica Mobilis... more
This is a self-archived version of an original article. This version usually differs somewhat from the publisher's final version, if the self-archived version is the accepted author manuscript.
in Wales, and a renowned International Relations (IR) scholar. She has become a reference for her work with feminism and gender since the 1990s. She has published several books including The 'Man' Question in International Relations... more
Although there is growing evidence that strong informal influence hierarchies can enhance teams core task performance, recent theorising suggests that such informal hierarchies may, at the same time, stifle team creativity. The current... more
Taking the new institutionalism as a point of departure, this article focuses attention on socio-cognitive models or paradigms and the related discourses that are part and parcel of any institutional arrangement and its evolution.... more
Drawing on multi-level, dynamic systems theory in sociology which has been developed and applied in institutional, organizational, and societal analyses, we formulate a general theory of social groups. This social systems approach has not... more
Drawing on a sociological multi-level, dynamic systems approach – actor-system-dynamics (ASD) -- which has been developed and applied in institutional, organizational, and societal analyses, we formulate a general model for the... more
Highlights • A novel semantic analysis offers insight into the diversity of scientific publications.• Synthesis center publications are more topically diverse than others.• Article diversity is strongly and negatively related to a... more