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Serbian Music

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lightbulbAbout this topic
Serbian music encompasses the traditional and contemporary musical forms originating from Serbia, characterized by diverse influences including folk, classical, and popular genres. It reflects the cultural heritage, history, and social dynamics of the Serbian people, often featuring distinctive rhythms, melodies, and instruments unique to the region.
lightbulbAbout this topic
Serbian music encompasses the traditional and contemporary musical forms originating from Serbia, characterized by diverse influences including folk, classical, and popular genres. It reflects the cultural heritage, history, and social dynamics of the Serbian people, often featuring distinctive rhythms, melodies, and instruments unique to the region.

Key research themes

1. How have 19th-century Serbian salon and salon-piano music shaped bourgeois cultural identity and musical life?

This research theme investigates the role of salon music in the social and cultural fabric of 19th-century Serbian urban bourgeoisie, focusing on music production, dissemination, and social functions within salons and private spheres. It matters because salon music embodied aesthetic preferences, social values, and cultural aspirations during Serbia’s modernization and formation of a civil society, reflecting broader European trends adapted locally.

Key finding: The study reveals salon music acted as a distinct cultural product reflecting the lifestyle, value system, and socio-cultural aspirations of 19th-century Serbian bourgeoisie, emphasizing how music publishing, salons as social... Read more
Key finding: This research documents the emergence of court and bourgeois salons in 19th-century Belgrade, showing how these spaces hosted musical performances, including salon piano music and folk song harmonization, thereby fostering... Read more
Key finding: The compilation and presentation of salon piano dances by key 19th-century Serbian composers from Novi Sad demonstrates the stylistic evolution and pedagogical prominence of salon music in Serbian musical life, underscoring... Read more
Key finding: This work’s critical edition and recording of 19th-century Serbian piano rhapsodies by Jovan Paču recover marginalised salon repertoire, illustrating the blending of nationalist musical elements with European salon music... Read more

2. How does Serbian contemporary classical piano music explore musical space-time and compositional techniques?

This theme focuses on innovative compositional approaches in Serbian contemporary piano music, particularly examining how composers conceptualize and manipulate musical space and time through specific technical means. Understanding these compositional strategies is vital for grasping the evolving aesthetic and conceptual frameworks within Serbia’s 21st-century art music scene.

Key finding: Through interpretative musical analysis, it identifies how Branka Popović regulates musical dimensions such as rhythm, timbre, harmony, dynamics, and motivic structures to create immersive musical space-time experiences in... Read more
Key finding: This article demonstrates how Savić employs Fibonacci sequences for formal structuring and the equal temperament system for thematic development to musically represent familial and spiritual narratives. It highlights... Read more

3. What role have Serbian émigré composers played in the dispersal and evolution of Serbian contemporary music since the 1990s?

This research theme addresses the impact of political upheavals and subsequent displacement of Serbian composers during and after the Yugoslav wars, examining how émigré experiences have influenced compositional trajectories and the internationalization of Serbian music. The theme interrogates diasporic networks’ role in historiography and how émigré composers re-incorporate or challenge national musical identities.

Key finding: The chapter compiles a comprehensive overview of Serbian composers who emigrated mainly in the 1990s due to war and political instability, noting their global dispersion and diverse career paths. It identifies émigré... Read more

All papers in Serbian Music

Предмет овог рада је проучавање музичких пракси (потребе, навике и укус) публике Коларчеве задужбине у Београду. Циљеви истраживања су идентификација и опис свих установљених аспеката музичких пракси, као и утврђивање природе и значаја... more
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The bell, given to the Metropolitan Museum of Art (inv.no. 1980.542) by Nathaniel Spear, Jr., in 1980, was taken from the church tower in Ližnjan (Istria), in 1915 or 1916. It was made by the Venetian founder Master Marcus, who operated a... more
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NASTANAK IMPRESIONIZMA -Impresionizam je umetnički pravac koji je nastao u francuskom slikarstvu izmeĎu 1860. i 1870. godine kao reakcija na izradu slika u slikarskim ateljeima, čiji je cilj bio slikanje u prirodi pod "vedrim nebom" i... more
Teresa Maria von Žefarović's <VI ariette italiane>, dedicated to Johann Nepomuk Hummel, was published by Artaria & Co in 1799. The composer was possibly of Italian origin and married into the well-known Macedonian Žefarović family, who... more
The intensity of the solar radiation varies during the day and throughout the year due to the difference in the angle between the sun's rays and the horizontal plane. Therefore , for practical use of the sun's energy it is important to... more
An account of Joseph Lanner's trip through Slovenia in May 1837 and his contacts with the Croatian aristocratic family Hilleprand-Prandau.
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In the manuscript are given the results from the research of the extention (substance) and the chemical structure of the eggs and different types of life creatures. The biggest substance (weight) have the eggs from goose (116, 06 gr.)... more
RESEARCH OF BELL CHIMING IN IN SOME SETTLEMENTS IN CROATIA AND ITS COMPARISON WITH PRITRKAVANJE IN SLOVENIA The central topic of the article is bell chiming as a musical practice of performing rhythmic patterns by striking the clapper... more
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With his translations and articles in Croatian literary periodicals, Vladimir Jelovšek was an important mediator in Croatian reception of literature and visual arts of the early Czech Modernism. But today, he is also considered as a free... more
The volume includes the following essays: Dragotin CVETKO, <Uloga glazbe i glazbenika u drugoj polovici 16. i na početku 17. stoljeća u Vojvodini Kranjskoj> [The role of music and musicians in the Duchy of Kranj from the middle of the... more
U pozorišnim rječnicima mnogo je zastarjelih pojmova koje su pozorišne prakse u međuvremenu otjerale u istoriju. Da li je to slučaj sa pojmom "repertoarska politika"? Zagovornike repertoarske politike često optužuju za "tvrdoću" i... more
"Osnovni cilj je analiza uticaja patriotskih pesama na buđenje nacionalizma i stvaranje novih nacionalnih identiteta tokom ratova na prostoru bivše Jugoslavije. Kao poseban deo ratne propagande, ove pesme su potpirivale neprijateljstva i... more
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This article explores the music education of the Greek people in the nineteenth century, as revealed through the description of music education in Constantinople, Corfu and Athens. Before the establishment of the new state of Greece... more
Tradicionalni muzicki instrument u diskursu oprecnosti:prošlost/sadašnjost, amatersko/profesionalno, amatersko/estradno izvorno/novokomponovano
Ovaj rad donosi prvi detaljan opis Ëetiriju srednjovjekovnih glazbenih kodeksa koji su, kao dio zbirke kodeksa ukinutog franjevaËkog samostana na otoku Badija kod KorËule, pohranjeni u arhivu franjevaËkog samostana Male braÊe u... more
Tutti i diritti riservati. Nessuna parte di questo libro può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo elettronico, chimico o meccanico, copie fotostatiche incluse, né con sistemi di archiviazione e ricerca... more
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