Lorena Cangiano
Cultural Heritage.
A.A. 2025/2026 - Adjunct Professor at the University of Foggia - Arts, Communication, and Design Sciences - Degree Program in Culture and Sustainability of Food and Wine - Course "Audiovisual Arts for Food and Wine".
A.A. 2023/2024 - Adjunct Professor at the Academy of Fine Arts of Foggia - Course "Phenomenology and History of Contemporary Drawing".
PhD candidate in "Visual Arts, Performing Arts, New Media, New Technologies, Music and Cultural Heritage" at the Academy of Fine Arts of Naples.
Specialization School in Historic-Artistic Heritage at Suor Orsola Benincasa University of Naples - Department of Humanities. In agreement with the University of Campania "Luigi Vanvitelli"
History of Art; Museology and History of Collecting; Cultural Heritage Law; History of Restoration and Artistic Techniques; Methodology of Art Criticism and Dissemination.
Graduated in Art Education and specialized in Cultural Mediation Management and Educational Services in Museum Contexts, she is an expert in Cultural Heritage Communication through multimedia storytelling techniques. She also writes articles for national contemporary art magazines and curates projects for the enhancement of artistic assets. She collaborates with Studio Glowarp as a Digital Storyteller with a focus on emotional strategies.
Statement of Research Interest:
- Cultural mediation and educational services in museum contexts;
- Communication of Cultural Heritage through multimedia storytelling techniques with a focus on emotional strategies;
- Curation of projects for the enhancement of artistic and cultural assets, with particular reference to archaeological museums;
- Intersection between literature, narratology, and Museum Studies;
- Art history and visual culture.
A.A. 2025/2026 - Adjunct Professor at the University of Foggia - Arts, Communication, and Design Sciences - Degree Program in Culture and Sustainability of Food and Wine - Course "Audiovisual Arts for Food and Wine".
A.A. 2023/2024 - Adjunct Professor at the Academy of Fine Arts of Foggia - Course "Phenomenology and History of Contemporary Drawing".
PhD candidate in "Visual Arts, Performing Arts, New Media, New Technologies, Music and Cultural Heritage" at the Academy of Fine Arts of Naples.
Specialization School in Historic-Artistic Heritage at Suor Orsola Benincasa University of Naples - Department of Humanities. In agreement with the University of Campania "Luigi Vanvitelli"
History of Art; Museology and History of Collecting; Cultural Heritage Law; History of Restoration and Artistic Techniques; Methodology of Art Criticism and Dissemination.
Graduated in Art Education and specialized in Cultural Mediation Management and Educational Services in Museum Contexts, she is an expert in Cultural Heritage Communication through multimedia storytelling techniques. She also writes articles for national contemporary art magazines and curates projects for the enhancement of artistic assets. She collaborates with Studio Glowarp as a Digital Storyteller with a focus on emotional strategies.
Statement of Research Interest:
- Cultural mediation and educational services in museum contexts;
- Communication of Cultural Heritage through multimedia storytelling techniques with a focus on emotional strategies;
- Curation of projects for the enhancement of artistic and cultural assets, with particular reference to archaeological museums;
- Intersection between literature, narratology, and Museum Studies;
- Art history and visual culture.
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Art Editor/Reviewer by Lorena Cangiano
Fragile ed effimera, l’esistenza umana prende forma nelle opere di Jacopo Dimastrogiovanni, artista e docente di pittura, finalista del premio Arte Laguna Prize 2022.
Ruggieri ricerca la verità analogica nella traccia fisica del processo di impressione-sviluppo-stampa in grado di influenzare il significato della fotografia accrescendola di articolazioni. Un registro di taglio analogico – che conserva e incarna un romanticismo tangibile e autentico rispetto all’immediatezza della fotografia digitale – blocca sulla pellicola un principio sfuggente: il tempo. Una lenta e paziente attesa da cui può originare l’errore al quale si conferisce un carattere di rarità che oggi – più che mai – sorprende sotto l’aspetto tecnico e culturale in forma di documentazione.
Damnatio memoriae è una locuzione in lingua latina che significa letteralmente "condanna della memoria". Nel diritto romano, la damnatio memoriae era una pena consistente nella cancellazione di qualsiasi traccia relativa a una determinata persona e con essa ogni prova della sua esistenza; al malcapitato dunque, toccava una sorta di “morte civile”.